For the second year, I’ll be taking part in Saffron Walden Open Studios 2014.
I will be opening my studio at 19 Church Close, Whittlesford CB22 4NY for the last weekend of April and the first weekend of May. And there will be cake in the garden in aid of Care for Casualties. It’s a bit early for our garden to be in full bloom and I’d love you to visit us if you are around that weekend. (If you’re a garden fan and would prefer to visit later in the summer, I will be taking part in the first and last weekends of Cambridge Open Studios in July as well.)
Saffron Walden Open Studios 2014
The studio and garden will be open from 11am to 6pm on both weekends. I will be exhibiting a range of watercolour paintings, both framed and unframed. In addition to my full size works, my Running With Brushes paintings will be available to view. And for those who are interested in limited edition fine art prints, there will be an opportunity to view some of the range, and order prints for delivery within a week.
The Saffron Walden Arts Trust is a charitable organisation which coordinates, encourages and promotes artistic enterprises of all kinds in the Saffron Walden area. The trust provides practical support to local artists and performers to help them display their talents, with initiatives such as music festivals and craft fairs as well as open studio events.
The open studio events provide visitors with the opportunity to see the work of local artists by visiting their studios. Visitors can talk to the artists about their methods, influences and approaches to their art. I was only open for one of the two Open Studios weekends last year. Even so, I met some wonderful art lovers and had some great conversations. I am looking forward to the Saffron Walden Open Studios 2014 weekends this summer.
I’m writing this blog post in between Open Studio visitors (Yes! I have actually had some. That made me smile). We’re almost 10 miles from the centre of Saffron Walden – possibly the furthest out of town of all the exhibiting artists, so I know we won’t get as many visitors as those who are centrally placed. But that’s OK with me. We spent last night setting up and can now be relaxed and take our time talking to visitors about the how and the why of my painting, and loval art in general.
For every artist, Open Studios is a different experience, and the goal is also very different. For some, it’s important to sell paintings because that’s how they make their living. I am in awe of their brave commitment to creating art full time. I just get a thrill seeing all my paintings displayed in one place. I’m always amazed at how many I have produced :-D. It’s a good way to get a perspective on a range of your work, and a sale is a wonderful bonus. I do have the occasional crisis of confidence as well, but I think that’s all just part of the creative process.
I read a quote by Billy Connolly today that resonates with me:
“my art is pure and un-judged, I am creating for myself, it is personal and private”.
I can see why he says that. While I get huge enjoyment from sharing my paintings, I find it’s important to remember that the fundamental point of painting is the creation of an image for it’s own sake. I think the pleasure of art from the artist’s perspective has two distinct stages: First the thrill of watching the image emerge, and then you get to experience it again when someone else sees and enjoys the painting.
The process of preparing for Saffron Walden Open Studios has given me the opportunity to reflect once again on what I love about painting, and on how much I love seeing people get enjoyment from my work. That’s the real thrill of a painting sale too – you really know the painting is loved when someone buys it. Even more so when someone who already has one of my paintings comes back for more.
It absolutely made my weekend when I got the request from someone who wanted to buy these two paintings on the night before Open Studios. The lovely thing about it that they are going to join one of my other paintings already in the same house.
Today’s seems to be all about return visits. I tweeted a comment about how strange it is that Facebook page Likes seem to come in waves, rather like buses: a flurry and then nothing for a while. And got a lovely response from Susan (@EarthWhorls) who tweeted back “your work is startling & beautiful – I would think you’d get lots of return visitors.” (Thank you, Susan)
In the lead up to Open Studios later this month, I’ve spent some time finishing off paintings. I’ve developed the habit of letting paintings sit at various stages. They stand on easels in the studio or get taped up on the wall while I enjoy pondering their development. In some cases I’m simply enjoying the paint itself. Every stage of a painting has a beauty of its own: It could be the energy of a brushstroke or two, or the anticipation of the next step. Sometimes they are allowed to sit, just because I’m not entirely sure that they are finished.
This painting started life much bigger and with different proportions. Finally, I decided it would be improved by removing a section of either side (neither of which was terribly exciting) leaving the core of the image with it’s more dynamic lines and sense of perspective. Sometimes, the critical step in the improvement of a painting is not what you put in, but in fact – what you take away. Doing so in this case, allowed the distant light over the hills to draw the eye, after an initial lingering on the dramatic textures in foreground trees.
There’s more to do to get ready for open studios. I have my fingers firmly crossed for good weather so we can open the garden to raise some funds for Care for Casualties. The garden looks fabulous in June, provided it hasn’t rained continuously for weeks.
The view from my studio is particularly lush right now and the doors are flung wide open as soon as I get into it, so as to ensure that I appreciate every moment of it it, whenever possible.
June is definitely Chairty month in our house. This evening we’ve started the bike ride in aid of Mind. There will be sore behinds and many hours of waiting around – but Chris and Helen have raised well over £2000 for the charity so I’m sure they will count it a privilege to have painful rear ends. More snippets about their progress may creep into this blog in the coming week. You have been warned.