I was painting autumn apples on day 2 of the 30 paintings in 30 days challenge.
Following the discipline of practicing active observation in a form of listening with my eyes, my attention kept coming back to a basket of autumn apples in the garden. They were originally put there waiting to be eaten, but to my mind that were really waiting for me to start painting autumn apples.
The rich reds and crisp yellows were a dream colour combination and I set myself the challenge of capturing the diverse range of reds (in particular) that I could see in the fruit.
Painting Autumn apples
This painting is as much about tonal values as it is about colour. Given the dominance of reds in the subject, its critical to get the tonal values right. Without that, the painting is flat and lifeless. My initial focus was on the bright yellow of the apple furthest to the back of the basket.
By luck (although I would love to say that I had the foresight to arrange them that way) the darkest piece of fruit was in right next to it which gave me a natural focal point. But, the yellow apple is too close to the centre of the page for my liking. Lightening the green around the stalk of the darker piece of fruit in the process of painting autumn apples shifted that point of interest enough to the left to give me comfort in the composition.
I started this with water soluble pencils to mark out the basket and the basic positions of the apples. A few of the marks are still visible from the pencils. I find it less easy to get the intensity of colour with them, so I went on to painting autumn apples with pure watercolour once I had got my basic positions right.