I’m back from my trip and have just completed some another piece of Belle Île Orchard art.
When we arrived on Belle Île the first thing that struck me was the glorious sunset. The following morning, I noticed the field across the road that was filled with meadow flowers. This is where the material came from when we started painting flowers from a French field. They were quite literally picked from the field a few minutes before we sat down to paint.
There were other subjects to paint during the week, some of which I will come back to. We saw sea, rocks, lighthouses, fabulously coloured houses and so much more. But the Belle Île Orchard art subject matter really captivated me. The field with it’s flowers seemed to epitomise the name of the place, and as the sunflowers and cosmos blossoms waved gently under the island sun, they seemed to invite more painting time. So I conceded and painted more flowers – just for now. The rest will come later.
Belle Ile Orchard Art
There’s a fascinating juxtaposition in this painting between the loose randomness of the meadow full of flowers, and the tidy, conforming lines of the Brittany house just behind the hedge. Even more so, when you consider the straight upright of the flag pole in the garden. The fruit trees in the orchard march neatly down the field in obediently productive lines.
Amongst all of this tidiness and order, the wild flowers display a delightful touch of nature’s rebellion against the order of the man-made world – creating their very own Belle Île Orchard art, at least during the summer months.
I now have a head full of other images that need to be painted so I’m off to the studio for a short evening painting session. I may come out for supper.
Painting flowers is always harder than it seems. It’s all too easy to make them stiff and un-natural looking.
Despite the fact that we see flowers all over the place, on a daily basis, it’s often quite difficult to capture the essence of a particular flower – the shape, the tone, the angle of the stem. It all adds up to making the general impression.
So why am I painting flowers from a French field?
About a year ago my friend, Olivia Quintin called to tell me about a painting week she was organising on Belle Ile. I would have jumped at the chance to paint on the island, and when she told me that the other tutor was to be Fabio Cembranelli, I was completely hooked. Fabio’s atmospheric painting style is one I have admired for some time, and Olivia paints with stunningly vibrant colour mixes. Fantastic combination of tutors and some dedicated painting time on a beautiful island. What could be better?
This is the result of my second day of working with Fabio and I couldn’t be happier with the result. I’ve loved doing this painting and have now been spurred on to do more like it.
Painting Flowers from a French Field
The field opposite our little complex of chalets is a mass of wild flowers. There are sunflowers, wild crysanthemums, pink cosmos, white cosmos and cornflowers. Painting flowers is almost unavoidable when you have that much fantastic material on the doorstep. Here’s one bunch that provided inspiration for the artists who wanted to spend time painting flowers.
Fabio’s approach to painting flowers is not to slavishly follow the bouquet in front of him. Instead he uses the shapes and colours as inspiration, but takes artistic licence on the composition and in adding new flowers to bring in colours and form to enhance the original image.
Plein Air painting with Olivia tomorrow. What surprises will that bring?