Over the past two weeks I have been on an exhilarating exploration of Morocco in preparation for my submission for the Cox and Kings Morocco Art Competition: White Light, Blue City.
My journey started with selecting the photograph which would be the subject of my paintings. Competition organiser Katie invited participants to interpret their photographs as they wish. The challenge for me was that, while I find the blue city of Chefchaouen fascinating, the reference for my subject was basically almost entirely blue.
Not having visited Morocco before, I spent some time on research. I searched the web and looked at dozens and dozens of photographs of the streets, the doorways and the stairways of the city. I questioned people who have travelled to Morocco about what it feels like to be in the city. I experimented with the spices of Morocco to get the smells, colours and textures of the markets. (And yes, there is Turmeric and Paprika in the final paintings – I’m sure you can work out where)
I found the city so enticing that I wanted to share more than just it’s blueness in my painting: to extend an invitation to wander up the stairways and alleyways, through the bustle and the spicy aromas of the marketplace, up towards the bright white Moroccan sunlight, to the cool oases behind the blue doors.
Thank you to Cox and Kings for the opportunity to take part in this fantastic challenge. It has been such fun.
If you want to have a look at the paintings done by the other participants, they’ll be blogging their submissions on their site: Jenny Keal, Concetta Perôt, Kim Dellow and Alan Reed. I hope they have all enjoyed painting Morocco as much as I have.