New Year, Fresh Ideas: 2014 Art Plan

New Year is a perfect opportunity to review the past year and think about how to make the most of 2014.

2013 Review

Wow – that was a busy year. It was a transformational year for my painting too. Firsts for me in 2013 were:

Out of the studio:
– First major joint exhibition. This took place in March when I shared an exhibition with Mark Judson and Denise Shearing. It was a great experience: the planning, the setup and the sales. It was a massive confidence builder as it resulted in commissions which have taken me all the way through to Christmas.
– Started Running With Brushes in July. 25 other artists have joined the project and we have now sold 142 paintings, raising over £2100 for Care for Casualties in the process. 312 paintings have been completed for the project to date.
– Held my first Open Studio event as part of the Saffron Walden Open Studios weekend.
– Made my first online sales this year.

Painting:
– Tried my hand at mixed media and working in acrylics on a 2 day workshop with the marvellous Georgia Mansur (expertly organised by Mita Higton)
– 77 Running With Brushes paintings – great for brush mileage
– Explored new subjects and managed my first portrait and figure painting.
– Took part in Leslie Saeta’s 30 Paintings in 30 Days – more brush mileage and a great way to build up my Running With Brushes works.

Things that didn’t work so well:
– I spent a lot of time travelling to take paintings to exhibitions that just didn’t work for me. Some because they were too busy, and some because they were badly organised.
– Although I took my paints and paper with me while I was on work trips, I still find it difficult to get into painting mode when I’m away from my studio.

Here are some of my most popular paintings of 2013:

2014 – The Plan

Out of the Studio:
– I’m planning to be more selective about the exhibitions I take part in during 2014. The time I spend in preparing for an exhibition is painting time lost and I’ve decided it must be worthwhile to warrant that sacrifice. So for 2014, I will only take part in selection exhibitions if I can submit my work online, or it is a local exhibition. I’ll be cutting out those that I’ve tried in past years and that haven’t worked for me for 2 years.
– As other bloggers will know, writing a blog takes a huge amount of time. It’s been wonderful having new readers commenting this year, and I will continue to blog. I enjoy experimenting with paint and the posts about my experiments seem to be some of the most useful. I’m considering a new series on What’s in my Studio which will go through the tools, materials and references I use. I hope this will prove a useful subject for other artists.
– In addition to Saffron Walden Open Studios, I’ve signed up for Cambridge Open Studios this year. That will give people one weekend at the end of April/beginning of May, and two weekends in July to visit my studio. Last year, I loved meeting people who wanted to talk about painting and were interested in my work. More of that in this coming year.
– Lots of exhibition visits, particularly at the Mall Galleries where there are many exhibitions of works from artist I admire and who inspire me to keep on painting and stretching myself.
– Expand my online sales which got off to a good start in 2013.

Painting:
– Continuing my pursuit of brush mileage to improve my painting skills, I am taking part in Leslie’s January 30 Paintings in 30 Days series. I pre-painted my first share which was actually posted online a couple of days ago. But as it’s a gift for someone whose birthday is today, it was done a couple of days ago so I’ve counted it as day 1.
– I’ve spent some of today organising my studio, and resolved to spend more time doing paint exercises and recording the results of my pigment studies.
– There is a pile of magazines and books in my studio which I have read superficially. 2014 will be the year to go through them in more detail and spend time making notes and working on ideas and tips I gather from them.
– More time spent on challenging subjects. Portraits, animals and figure work will be on the agenda.
– Texture, texture, texture – it’s thrilling and I love it when the texture transforms a painting.
– I have a fabulous week of Plein Air painting in France with Olivia Quintin and Fabio Cembranelli planned for September. I’m challenging myself to get comfortable painting outside the studio.
– Doing three open studio weekends means I must paint enough new work to make it an interesting and worthwhile experience for visitors. Setting deadlines for myself is a great way to make me paint, paint, paint.

Happy New Year everyone, and Happy Painting.

White Light, Blue City

Over the past two weeks I have been on an exhilarating exploration of Morocco in preparation for my submission for the Cox and Kings Morocco Art Competition: White Light, Blue City.

My journey started with selecting the photograph which would be the subject of my paintings. Competition organiser Katie invited participants to interpret their photographs as they wish. The challenge for me was that, while I find the blue city of Chefchaouen fascinating, the reference for my subject was basically almost entirely blue.

Not having visited Morocco before, I spent some time on research. I searched the web and looked at dozens and dozens of photographs of the streets, the doorways and the stairways of the city. I questioned people who have travelled to Morocco about what it feels like to be in the city. I experimented with the spices of Morocco to get the smells, colours and textures of the markets. (And yes, there is Turmeric and Paprika in the final paintings – I’m sure you can work out where)

Blue City

I found the city so enticing that I wanted to share more than just it’s blueness in my painting: to extend an invitation to wander up the stairways and alleyways, through the bustle and the spicy aromas of the marketplace, up towards the bright white Moroccan sunlight, to the cool oases behind the blue doors.

White Light, Blue City (39 x 58 cm. mixed media)
White Light, Blue City (39 x 58 cm. mixed media)

Thank you to Cox and Kings for the opportunity to take part in this fantastic challenge. It has been such fun.

If you want to have a look at the paintings done by the other participants, they’ll be blogging their submissions on their site: Jenny Keal, Concetta Perôt, Kim Dellow and Alan Reed. I hope they have all enjoyed painting Morocco as much as I have.