Painting flowers is always harder than it seems. It’s all too easy to make them stiff and un-natural looking.
Despite the fact that we see flowers all over the place, on a daily basis, it’s often quite difficult to capture the essence of a particular flower – the shape, the tone, the angle of the stem. It all adds up to making the general impression.
So why am I painting flowers from a French field?
About a year ago my friend, Olivia Quintin called to tell me about a painting week she was organising on Belle Ile. I would have jumped at the chance to paint on the island, and when she told me that the other tutor was to be Fabio Cembranelli, I was completely hooked. Fabio’s atmospheric painting style is one I have admired for some time, and Olivia paints with stunningly vibrant colour mixes. Fantastic combination of tutors and some dedicated painting time on a beautiful island. What could be better?
This is the result of my second day of working with Fabio and I couldn’t be happier with the result. I’ve loved doing this painting and have now been spurred on to do more like it.
Painting Flowers from a French Field
The field opposite our little complex of chalets is a mass of wild flowers. There are sunflowers, wild crysanthemums, pink cosmos, white cosmos and cornflowers. Painting flowers is almost unavoidable when you have that much fantastic material on the doorstep. Here’s one bunch that provided inspiration for the artists who wanted to spend time painting flowers.
Fabio’s approach to painting flowers is not to slavishly follow the bouquet in front of him. Instead he uses the shapes and colours as inspiration, but takes artistic licence on the composition and in adding new flowers to bring in colours and form to enhance the original image.
Plein Air painting with Olivia tomorrow. What surprises will that bring?