Painting darks – mushroom frills and shadows

Yesterday was a day for considering painting darks. There was one last tomato and a bag of glorious big field mushrooms in the kitchen when I was looking for my subject yesterday.  The mushrooms caught my eye.

There’s a lovely tonal contrast between the dark underside frills and the creamy top of a field mushroom that just invites the artist’s brush so I decided that painting darks was going to be the day 3 project.

I couldn’t leave the poor lonely tomato out of the frame so I added it just for fun. Next time I might go for a purely mushroom composition, because in hindsight, I’m not sure the tomato adds anything particularly fabulous to the image – and it’s not really in sync with the painting darks theme. You may also notice that I lost interest when I was painting the tomato vine. It seemed unimportant to my purpose – the painting darks thing.

painting darks
The Last Tomato (watercolour 14 x 9 cm)

Painting Darks

Despite its title, this painting really is all about the insides of the mushrooms (which, tasted fantastic when we ate them for supper, by the way).

Raw umber was the main colour for shaping and detailing the smooth edges of the mushroom. I deliberately chose two with quite different edge shapes so that I could work on capturing the juicy roundness of the fat specimen on the right, as well as the slightly tattered frill on the other.

Burnt Umber was my dark of choice. I added some lovely rich blues to emphasise the deep shadows under the upper lip of the mushroom, and some lovely perylene maroon in the nearer part of the frill to provide some warmth.

I was hampered for colour as I was just using a little box of paint blocks rather than my normal range of colours. So while I’m not under any illusions that this is a masterpiece, it’s achieved it’s purpose: I had a good play with painting darks.

The last tomato - painting darks

 

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