Open Studio Give Away

This is my third year of holding an Open Studio. Joining over 300 other Cambridge Open Studios artists is a highlight of my year.  I love all of it – the planning, the build up and most of all, meeting interesting people who come for a browse.

This year, to celebrate my 2016 Open Studio I’ve decided to do a giveaway

The winner of the draw will receive this limited edition signed and numbered giclee print of Poppies in the Sunlight.  This print comes mounted and ready to put into a 12 x 16 inch frame.

There are plenty of opportunities to get your name in the draw (see below):

Win Poppies in the Sunlight at my 2016 Open Studio

The draw will take place at 6pm on Sunday 24th July.

Your name goes in the draw every time you do one of the following:

  • Visit my Open Studio and put your name in the box. I will be open from 11am to 6pm on the 16th, 17th, 23rd and 24th July.
  • Sign up for my email newsletter. (I only do 3 or 4 newsletters a year).
  • Like my Facebook page
  • Share the Facebook post at the top of my page (you will need make sure the privacy setting on the post is ‘public’ so that I can see the share and add your name to the draw)
  • Sign up to receive my blog by email
  • Follow me on Instagram and pop a comment into the post with about this draw on my feed.

That’s 6 opportunities to get your name in the draw. You could have 6 chances of winning this print.

(About this painting: Every year a few of my works seem to be the zeitgeist pieces of the year. This is one for 2016. It was painted last summer and was then used as the poster image for the Spring Exhibition of the Society of East Anglian Watercolourists Spring Exhibition. The original painting was the first painting to sell at the exhibition. For me this painting represent exuberence and zest for life: a joyful painting)

What’s on show at my Open Studio 2016

This year I have

  • 90 of my Running With Brushes paintings on display.
  • A number of  new watercolours, some of which stem from my South African travels, and some from a recent trip to the island of Paxos.
  • I’ve invested in a top quality scanner and giclee printer so this year will also be showing a range of signed limited edition prints mounted and ready to be framed for the wall.
  • Seven new greeting cards designs join the collection of evergreen favourites.

I am aware that time is precious and I so value the effort people make to come and see my open studio. My working studio, untidy as it is when I paint, will be open for visitors to look around and I’ll be there to answer any questions and chat about my inspiration and my approach to painting.

And if the weather is kind to us, we’ll even be able to have our tea and cake in the garden. The next two weekends are looking to be fabulous!

Watercolour sketch cards

I’m playing catch up with my little watercolour sketch cards this week. I ran out of time to write a post last week for a number of reasons, but mainly because I am organising an exciting Running With Brushes exhibition.

I have the support of nine other fabulous artists in Cambridge who will be exhibiting with me – not to mention the 30 other artists who have so generously donated works to Running With Brushes. The website is up, the artists are ready and now we start with spreading the word. So if you’re in the Cambridge area and you fancy a grand night out with live music, a fantastic art exhibition, the chance to meet some exceptional artists, and to take home one of the gorgeous little Running With Brushes watercolours – please consider buying a ticket and spreading the word.  (Early warning – you may hear a bit more about this event from me as the event unfolds)

So now you know why I didn’t post last week, here’s a selection of the watercolour sketch collection that came off my brushes.

Watercolour Sketch list
2016.02.23 - Nightingale Song

Nightingale song inspired this sketch. On one of my London work days I heard my first nightingale. Sound waves in the dusk came to mind.

2016.02.21 - Order from Chaos

Creating order from chaos. I’m going through an exercise of organising my palettes. I’ll blog about this some time in the future – I’ve started working through my paints to find the single pigment transparent colours. More on this later.

2016.02.20 - Crane Flower

The strelizia in the office produced a single flower/. I loved the dramatic shapes of the spikey petals. They called for a layered abstract.

2016.02.19 Switzerland 2

Sitting in the Zurich airport I thought about what defines Switzerland. The essence of the Switzerland I saw last week was many shades of grey, blue skies, mountain peaks and a splash of red.

2016.02.18 - Take Off 2

Taking off – I challenged myself to paint one of these on the plane. This was painted at 38000 feet above the earth.

2016.02.17 - Curves and shadows 2

Energy pods. Shiny gold cones of wake-up boost. They’re not very politically correct these days.

Back to the studio now for a bigger piece.

SEAW Selected Exhibition 2015

SEAW Selected Exhibition 2015

The annual SEAW selected exhibition started on Monday 5th October with a preview and prize giving event. 182 paintings were delivered to the Wymondham Art Centre on Sunday afternoon and Monday morning by 38 hopeful artists. By Monday afternoon,  judges Olwen Jones RWS, Julia Sorrell RI and Ann Roberts of WAC had selected 82 paintings for the exhibition and the hanging committee was hard at work putting them on display.

SEAW Selected Exhibition – 2015 Prize winners

SEAW Selected Exhibition 2015 - winning paintings
The winning paintings – Photography by Janet Hathiramani

The judges awarded six prizes from these paintings:

Mary, by John Glover was awarded the RWS Presidents Award and cup, and will be hung at the RWS Open Exhibition at the Bankside Gallery in 2016.

Other prizes were awarded to Tony White, Ruth McCabe, Alan Noyes, Gilly Marklew (who was one of my first watercolour tutors) and finally, to my painting, The Amphitheatre. I was over the moon to have received this endorsement. Its a first for me and I’m deeply honoured to have my painting hung on the same wall as such a talented and experienced group of watercolourists.

The Exhibition is on until October 18th.

Cambridge Open Studios and the Art Safari

There’s a bit of a buzz in the house at the moment. We’re getting ready for Cambridge Open Studios in a fortnight.

I had the pleasure of going to see the studios of two other artists yesterday, both are experienced artists and have strong styles. They have very different styles of Open Studios and I was impressed by them both for different reasons. Jo Tunmer and Claire Marie Wood inspired me in different ways which was fabulous when faced with a weekend of framing, and organising to get ready.  And it was lovely to have a chance to visit a couple of other studios. So often its not possible if your studio is open on the same weekends.

After a couple of days of working on the preparations, we’re not quite there yet, but we’re making progress. The framing is done:

Cambridge Open Studios preparation
All framed up and waiting for hanging

My Running With Brushes will be on display providing some exposure for the project. I wish I could display the whole collection, but even without being able to show the works of other artists, it should raise awareness.

Cambridge Open Studios display
My Running With Brushes paintings on display

Cambridge Open Studios in Whittlesford

We’re having an Art Safari in the village to make Whittlesford a good destination for Cambridge Open Studios visitors. With 4 artists works on display within a 5 minute walk, visitors will have plenty to see.  It’s taken a bit of organising – firstly to make sure we could all be open on the same days, then to arrange our preview evening for the same time and date. Finally, we got the marvellous Lori Bentley to design our map which will be available at all studios and has gone out in 400 guidebooks around the area.

Between the four artists taking part, many mediums will be on display: watercolour, pastel, oil, acrylic and collage. The range is rich and the colours vibrant.

Art safari social media

If you’re in the area, pop in for a coffee and say hello.

Watercolour Plans and Explorations

This week has been one of watercolour plans and some explorations.

Watercolour plan 1 : Open Studios

Watercolour plan 1: The start of the week brought paperwork for Open Studios – and the requirement to make some commitments to painting fresh work and exhibiting. I’ve decided to do both Saffron Walden Open studios at the end of April and beginning of May, and Cambridge Open Studios in July. More on these closer to the time.

Watercolour plan 2 :  Artfinder

Watercolour plan 2: I took a decision to do a blitz sale on Artfinder to make space for new works in preparation for these exhibitions. This has proved quite successful so far and 5 paintings went over the past few days. It’s often quite difficult to see a painting go – we become attached to them somehow. But I’m excited about developing new lines of work this year and this will spur me on to get my brushes going.

Watercolour Exploration 1: Wash a Week Challenge

This week’s post explores Daniel Smith’s Lunar Blue. Here’s a little abstract treescape painting I did using only this colour. This will go up on the Running With Brushes site when I have time to post it there. (Life is overtaking me a bit at the moment.)

Watercolour exploration - wash a week entry
Wash a week – Week 4 – Lunar Blue

Following Last weeks Wash a Week post on Quinacridone Gold and Quinacridone Violet, I was asked how similar the gold is to Indian Yellow. I happen to have a tube of Indian Yellow I hadn’t yet tried. Perfect excuse to have a go so here’s the little colour swatch I did to see the difference. Separately, they do look quite similar because they are both strong colours. Put them together and you can see the difference.
Watercolour week yellow and gold comparison

Watercolour Exploration 2: Abstracts

On Friday evening I went to the monthly meeting of the Saffron Walden Art Society to see a demonstration of Abstract painting by local artist Joyce Crabb. I’m increasingly interested in Abstract art, and I think probably lean towards semi-abstract myself in some of my looser work. I’m not sure I’ll get comfortable with pure abstract work – at least not for some while, if ever. But I will be experimenting a bit more on the fringes I suspect.

Watercolour Plans 3: Tidying up the studio

I’m a book junkie (and a colour junkie as I’ve said before). I have a fair collection of art books and magazines in my studio. When I set up the space for my painting I insisted on having a corner with a sofa and table, as well as a bookshelf, so that I could sit quietly and enjoy dipping into this exciting reference material and inspiration.

Watercolour plan - tidy the studio

 

A year or so ago, I did a workshop in oil painting with Stephen Higton and decided to start doing a bit of work in other mediums, so I bought a large easel, amongst other things. Its fabulous to have it, but in a small studio, it was always a bit in the way. No matter which way I positioned it, the bookshelf was obscured and it became a mission to reach it.  Result: books not read, or books and magazines stacked all over the sofa and any other free surface so I could get to them.

This weekend I had a brainwave about repositioning things and got stuck in to moving furniture before I got started on painting. The result:

Watercolour plan - after the tidy
Space to read!

Quinacridone watercolours

My Daniels Smith quinacridone watercolours came out to play this weekend. Last weekend I explored the differences and synergies between Quinacridone Gold and Quinacridone Deep Gold. You can see my findings in the Wash a Week challenge.
Quinacridone Watercolours - Gold, Deep Gold and Violet

The nectarines on the kitchen table seemed an ideal subject for the colours I was working with for the blog. Once opened, the smooth, juicy, translucent flesh contrasted temptingly with the many folds and hard edges of the stone in the centre.

Quinacridone Watercolours blending on the paper

The perennial challenge for watercolourists is resisting the urge to be too fussy. There’s always the temptation to add one more brushstroke, embellish with a bit more detail, change an edge or a shape.

In this painting, I aimed to avoid this challenge by completing the whole painting with one flat brush. Painting a rounded shape with smooth edges using a flat brush makes it very difficult – almost impossible to get too detailed.

Using quick, energetic brushstrokes, my aim was to simply capture the essence of the fruit. My focus was specifically on the smooth quality of the flesh, and the area of rosy colouring where the hard stone emerges from the body of the fruit.

The combination of the transparent, single pigment quinacridone watercolours, and resisting the urge to fiddle with the paint once it’s been laid down on the paper, leaves the colours clear and translucent in the painting.

I’ll be sharing more quinacridone colours in future Wash a Week posts.

In other news, I’m starting the planning process for my 2015 exhibitions and Open Studios. There are a few visits to London exhibitions and a watercolour festival for inspiration. And I’ll be creating the opportunity for UK watercolour artists to attend workshops with two exceptional artists from Moldova and France. More news on these later.

Exhibition at Windmill Art in Linton

My next showing will be an exhibition at Windmill Art in Linton with Mark Judson.

Exhibition at Windmill Art Exhibition at Windmill Art - detail
Mark’sMark Judson's ceramics will be on show at the Exhibition at Windmill Art in Linton ceramics are well known in South Cambridgeshire where he exhibited for many years while teaching and heading the art department at The Perse School. I recently posted a photo on Facebook of the pot I decided I just had to have after seeing a picture of it. It was far too big to mail so we took a long weekend trip to France to collect it. It now stands proudly in our lounge and is a frequent conversation piece because of the beautiful delicate colours in the glaze.

Mark’s work can usually only be seen at exhibitions in central France where he now lives. This is a rare opportunity to see them on show in the UK again.

I will be showing watercolours themed by my travel experiences. Every country has it’s own special atmosphere and I aim to capture some of this in my landscapes. These are the works that will be on show in October.

Today I leave for my latest trip – a painting week on Belle Ile, France. I’ve been sailing in this part of the world before and some of the sights and sensations of Island life are bound to make their way into the exhibition at Windmill Art. There will be some paintings to see that are ‘hot off the easel’.

About the Exhibition at Windmill Art in Linton

Windmill Art is, as the name states, exhibition space in a windmill. The venue has ample parking and is close to the A14 and M11. For an invitation to the Preview evening, please sign up for my newsletter. The invitations will be going out very soon.  I hope you can join us at Windmill Art on the first weekend in October.

Tuscan Doors With Character

Tuscan Doors (watercolour 15 x 21 cm)
Tuscan Doors (watercolour 15 x 21 cm)

I’ve been working through photographs of a range of Tuscan doors. They were taken one afternoon on our holiday in that part of the world last month. (These Tuscan Doors are from the Running With Brushes website)

We went off on an excursion to see the hilltop towns of central Italy, many of which have a link to the work of the artist Piero Della Francesca who famously painted the pregnant madonna.

Starting in Umbria and meandering over into Tuscanny, the drive is beautiful. It invites a slow ramble up and down some winding roads which traverse the hills and valleys between Medieval towns with magnificent walls.

For me, the most interesting aspects of these towns are the old bits. The narrow roads within the old city walls. That’s where all the character-filled bits of buildings can be found. And somehow, the Tuscan doors seem to be a great feature of the buildings. I’ve seen similarly interesting doors in other parts of Southern Europe, but this part of the world seemed to strike me as having a deliciously wide variety from which to choose.

Our Tuscan Doors route
(or the official version – the Piero Della Francesca Route)

One of the reasons for this route is that Piero Della Francesca, unlike many of the best known painters of the time, does not have his works in many of the major museums.  Instead, he chose to stay close to his roots and his works have remained in the part of Italy that he loved.

– Start in Sansepolcro  has a beautiful walled centre. Park just outside the walls and amble along to the Museo Civico to see The Resurrection
– Monterchi is where the pregnant Madonna can be seen. I didn’t think much of the museum dedicated to this painting. The staff were lackadaisical and not particularly interested in visitors, and the museum is small – leaving the visitor thinking, “Is that it?”  However, as part of the drive, this is a glorious part of the route.
– We missed seeing Rimini and Arezzo where I believe there are some spectacular works, but that was because we stopped for lunch in glorious:
Anghiari. I was utterly charmed by this town. We visited the little Da Alighiero restaurant for a lunch which ultimately lasted almost 3 hours. Husband and wife team Gianni and Sylvia pull of that perfect combination of fantastic food and great hospitality. On the way back up the hill, we took photographs of the town’s Tuscan doors. Every one seemed to entice us to stay a little longer and explore this wonderful town.

Restaurant interior sketch
Da Alighiero – bottles and old trunks sketched while waiting for lunch

Whether you’re interested in Piero Della Francesca, medieval towns, great old architectural features, or just plain fantastic places to do long lunches, this route through Tuscanny is hard to beat.

Lest We Forget – Commemorating the start of WW1

Today’s post should have been written yesterday, the day when we were all saying, “Lest We Forget”.  But it didn’t happen because I was down at the Tower of London.

Yesterday was a poignant day for many people. Commemorating the start of WW1 one hundred years ago is a significant occasion for those who value human life. It’s slightly depressing that we (the human race) haven’t learned to do this peace thing a lot better by now.

I decided to do something positive to mark the day. I haven’t had time to work on my Running With Brushes contributions for some time, so over the weekend I painted a few.

RWB0104 Fields of Green
Fields of Green (Watercolour 21 x 15 cm)

This one, Fields of Green, is particularly appropriate. It reminds me of the reason for the sacrifice made by all those men and women so many years ago. The right to live in peace in a country of our choice seems such a simple thing. And yet, without those soldiers who fought for it, we would not have it.

For those few of my readers who might not know about Running With Brushes, this is a project to paint 1000 small watercolours, and sell them to raise funds for Care for Casualties. Care For Casualties supports the families of members of Rifles Regiment who have been killed or wounded in Iraq and Afghanistan. To date, over 350 paintings have been created, 162 paintings have been sold, and as a result, almost £3200 has been received by the charity.

Tower of London 4th August 2014. Lest We forget
Tower of London 4th August 2014. Lest We forget

Tower of London: Lest We Forget

We also took a trip down to The Tower of London to have a look at this powerful and poignant art installation.

The Blood Swept Lands And Seas of Red exhibition, by

Artist Paul Cummins created Blood Swept Lands and Seas of Red to represent the lives of every British and Colonial death during the conflict.  The poppies will be planted continuously until 11th November when there will be 888,246 of them in the moat around the Tower.

The poppies can be purchased by members of the public to raise funds for 5 military charities. I’ve just ordered mine.

I’ve been playing with creating video clips with my phone. This one is slightly wobbly but gives a slightly better idea of the scope of the poppy field in the moat at The Tower.