Open Studio: Rainforest and Reef

Open Studio Rainforest Reef! Its all about to happen. I’m heading home with a collection of watercolours and a few experimental abstract acrylics in my suitcase.

Open Studio Rainforest Reef

I’ve had the most amazing two months of new places, new experiences and new paintings. We’ve travelled through Bangkok, Siem Reap in Cambodia, Sydney, Queensland (Mission Beach and Airlie Beach), Melbourne and finally Singapore. I am sitting beside the swimming pool in the heat on the 6th floor of our hotel in Singapore as I write. This evening we board our flight back home and I am simultaneously sad that my trip is at an end, and pleased to be going home. I can’t wait to see my sons and sleep in my own bed. I am itching to get back into my studio and get started preparing for next weekend’s open studio.

Open Studio Rainforest Reef: What will be on the walls

One of the best aspects of watercolour is their portability. Paintings dry fast and you don’t need a lot of kit (although I must admit I brought along far more than I needed).

Before I left, I planned to paint a series of 20 x 20 watercolours for an open studio. Paper was cut to size, frames were sourced and set up ready to be ordered for my return. I wasn’t sure how many paintings I would manage to do so I couldn’t pre-order.

Once I got to Queensland, I was entranced by the rainforest most of all. I’ve always loved trees. Ever since I was able to climb my first tree I have enjoyed their sheer scale, their majesty and their individuality. So, right now, there are more rainforest paintings than reef paintings – although I do have a lot more ideas for reef paintings that will no doubt emerge in time.

My surprise discover on this trip was the fabulous art centre at Mission Beach. Where I was able to join a workshop on Abstracting the Landscape with Australian artist, Glenda Charles. The weekend was inspiring, terrifying and energising.  I will have the two works I completed on that weekend available for Open Studio visitors to see. If you can’t make it to the Open Studio, I will be posting more about each of those two paintings when I have had time to scan all my work.

Thank you for following my creative journey. I really appreciate the fact that you’re still reading after all this time. If you know anyone else who might enjoy my ramblings, please feel free to share this blog.  I would be very grateful.

More back in the UK.

Watercolour Sketchbook in Digital Form for my ArtAusTrailasia Project

There’s an emerging digital watercolour sketchbook of my current trip. I love travelling and try to go somewhere every year – it inspires my painting. Right now I’m a long way from home, travelling in Queensland, Australia exploring Rainforests and Reefs.

Watercolour - Rainforest in the Rain
Rainforest in the Rain. Watercolour 20 x 20cm

We came via Bangkok and Siem Reap in Cambodia because there were things to be seen along the way. Travel is such a cornerstone of my painting, I decided to make the most of it on this trip and create a digital journal along the way. Rather than keeping a daily sketchbook, I’ve painted an A5 sketch each day. Each one is then photographed it so I have a record and finally, left it in a public place for someone to find and keep.

So far I’ve painted 43 and I hope to make it a total of 60 before I get home. Each image gets put on Instagram and in a Facebook album with the tag #ArtAustTrailAsia.

Digital Watercolour SketchbookThis is my digital sketchbook.

So far the watercolour sketches have been well received. I mainly leave the paintings without telling anyone, and let them be discovered later. Often I’ve been on a walk, leaving the painting on a table at the beginning of the trail. Its always gone by the time I get back. A few people have left messages on Facebook or Instagram to say they’ve got a painting and to let me know where the painting landed up.

The last few days I’ve been painting on a sailing boat with 22 other passengers. By the last day people were watching the emerging watercolour and asking if they could have the next painting. This was very good for my plein air painting. I’m normally too self conscious to paint in public and hate being watched as I work. But this trip has helped enormously and I’ve become much more relaxed about painting when other people are around me. What’s helped you paint in public? It can be a daunting prospect.

And a Watercolour Sketchbook to take home

They haven’t all been  given away. There will be paintings coming home with me too.  I have put down a few pieces in my Moleskine watercolour sketchbook, and have started a series of 20 x 20 watercolours which will be available for sale when I get back home. There will be some bigger works too. I am loving painting the rainforests and the reefs of Australia so much that I’ll be holding an Open Studio weekend in July when I get back home. If you’re in the Cambridge area and would like to come along, sign up for my newsletter in the box on the right hand side of my blog for information about dates and times. News of my Rainforest and Reef Open Studio will be coming soon. Watch this space (or my newsletter)

And now for some non watercolour sketchbook news:

I’m thrilled to have had two paintings accepted for the Babylon Arts Summer Open Exhibition. Rhododendrons in the Garden and Alliums in the Garden will be on show at the Babylon Gallery in Ely. The exhibition runs from July 29th to August 28th and will feature the work of 40 artists. The gallery is a lovely venue right on the river bank and its well worth a day out of boat watching, art viewing and some good places to eat lunch.

 

Just over a year ago I was honoured to be offered (and accept) the role of Chair of the Society of East Anglian Watercolourists. The society has for many years benefitted in various ways from links with the Royal Watercolour Society and the Royal Institute of Painters in Water Colours.  It’s been an exciting year of working with a committee of extremely talented artists to bring in some new initiatives for the society’s 70 members. In the context of my art life this is what has been keeping me busy. I have two years left of my term so expect blogging to be sporadic.

Watercolour painting exhibition www.SEAW.co.uk Call for Entries 2017

One other piece of Society of East Anglian Watercolourists news: The annual Selected Exhibition which is due to take place from 30 August to 17 September this year is now open for submissions from non-members. If you’re an East Anglian Watercolourists – consider submitting some work for our exhibition. More information on this at www.seaw.co.uk

Open Studio Give Away

This is my third year of holding an Open Studio. Joining over 300 other Cambridge Open Studios artists is a highlight of my year.  I love all of it – the planning, the build up and most of all, meeting interesting people who come for a browse.

This year, to celebrate my 2016 Open Studio I’ve decided to do a giveaway

The winner of the draw will receive this limited edition signed and numbered giclee print of Poppies in the Sunlight.  This print comes mounted and ready to put into a 12 x 16 inch frame.

There are plenty of opportunities to get your name in the draw (see below):

Win Poppies in the Sunlight at my 2016 Open Studio

The draw will take place at 6pm on Sunday 24th July.

Your name goes in the draw every time you do one of the following:

  • Visit my Open Studio and put your name in the box. I will be open from 11am to 6pm on the 16th, 17th, 23rd and 24th July.
  • Sign up for my email newsletter. (I only do 3 or 4 newsletters a year).
  • Like my Facebook page
  • Share the Facebook post at the top of my page (you will need make sure the privacy setting on the post is ‘public’ so that I can see the share and add your name to the draw)
  • Sign up to receive my blog by email
  • Follow me on Instagram and pop a comment into the post with about this draw on my feed.

That’s 6 opportunities to get your name in the draw. You could have 6 chances of winning this print.

(About this painting: Every year a few of my works seem to be the zeitgeist pieces of the year. This is one for 2016. It was painted last summer and was then used as the poster image for the Spring Exhibition of the Society of East Anglian Watercolourists Spring Exhibition. The original painting was the first painting to sell at the exhibition. For me this painting represent exuberence and zest for life: a joyful painting)

What’s on show at my Open Studio 2016

This year I have

  • 90 of my Running With Brushes paintings on display.
  • A number of  new watercolours, some of which stem from my South African travels, and some from a recent trip to the island of Paxos.
  • I’ve invested in a top quality scanner and giclee printer so this year will also be showing a range of signed limited edition prints mounted and ready to be framed for the wall.
  • Seven new greeting cards designs join the collection of evergreen favourites.

I am aware that time is precious and I so value the effort people make to come and see my open studio. My working studio, untidy as it is when I paint, will be open for visitors to look around and I’ll be there to answer any questions and chat about my inspiration and my approach to painting.

And if the weather is kind to us, we’ll even be able to have our tea and cake in the garden. The next two weekends are looking to be fabulous!

Making Watercolour Paint

When I started painting, I never would have imagined I would be tempted into making watercolour paint. But somehow, this is where I find myself now. And its been both fascinating and fun. Making Watercolour Paint Pigment Display

It all started with a visit to an art shop in Venice where the delicious display of pigments in the window tempted me inside.

Making Watercolour Paint Pigment Jars

where the delights of making watercolour paint became apparently. Look at all those gorgeous colours lined up in shiny glass jars!

Making Watercolour Paint Pigments

I had to have a go at making watercolour paint, starting with a festival in blues and then added 7 other colours to increase my Venetian palette.  Unfortunately, these bags of loveliness don’t come with instructions. I had to start by researching a method and recipe.

Recipe for making watercolour paint.

Start by making a base for the pigment.

  • 1 part gum arabic
  • 3 parts warm water (I used very hot water as its easier to dissolve the gum arabic)
  • 1 part glycerine
  • 1 part honey (optional)

Then mix in pigment to the base in a 1:1 ratio.

In the first phase, its important to make sure the gum arabic is fully dissolved. In the second phase, mix until the paint is smooth. It takes longer than you think.

Making Watercolour Paint mixed

Once mixed, the pigments stay wet for much longer than the commercial tube paints. I presume this may be partly because of the glycerine and honey additions. The effect of this is to make the paint slow to dry on the paper.

I’m still getting to know these paints. I’ll be testing them next and will write about my results. For one thing, lightfastness on any of these is an unknown. I can’t use them in any paintings for sale until I know how they react over time.

Making Watercolour Paint Pin jars

I started with a small batch of each colour – and still have a (very small) jar full of each colour I bought. This is years of supply at the rate I paint.

It may not be necessary to go all the way to Italy to have a go at making your own paint. There is an art shop in London which supplies pigments, resins and gums. I’ve not been there before, but it looks as if its worth a visit.

A word of warning: I was careful to wash my hands thoroughly after making each batch of paint – its a messy business. Strictly speaking, I probably should also have used a dust mask as I don’t know the toxicity level of any of these pigments. I will be getting a good quality mask for future paint mixing and I would suggest it for anyone wanting to try making their own paint.

Cambridge Open Studios and the Art Safari

There’s a bit of a buzz in the house at the moment. We’re getting ready for Cambridge Open Studios in a fortnight.

I had the pleasure of going to see the studios of two other artists yesterday, both are experienced artists and have strong styles. They have very different styles of Open Studios and I was impressed by them both for different reasons. Jo Tunmer and Claire Marie Wood inspired me in different ways which was fabulous when faced with a weekend of framing, and organising to get ready.  And it was lovely to have a chance to visit a couple of other studios. So often its not possible if your studio is open on the same weekends.

After a couple of days of working on the preparations, we’re not quite there yet, but we’re making progress. The framing is done:

Cambridge Open Studios preparation
All framed up and waiting for hanging

My Running With Brushes will be on display providing some exposure for the project. I wish I could display the whole collection, but even without being able to show the works of other artists, it should raise awareness.

Cambridge Open Studios display
My Running With Brushes paintings on display

Cambridge Open Studios in Whittlesford

We’re having an Art Safari in the village to make Whittlesford a good destination for Cambridge Open Studios visitors. With 4 artists works on display within a 5 minute walk, visitors will have plenty to see.  It’s taken a bit of organising – firstly to make sure we could all be open on the same days, then to arrange our preview evening for the same time and date. Finally, we got the marvellous Lori Bentley to design our map which will be available at all studios and has gone out in 400 guidebooks around the area.

Between the four artists taking part, many mediums will be on display: watercolour, pastel, oil, acrylic and collage. The range is rich and the colours vibrant.

Art safari social media

If you’re in the area, pop in for a coffee and say hello.

Painted Paper for Painted Wolves

African Wild Dogs, otherwise known as Painted Wolves are endangered.  They are small sociable canines, native to Sub-Saharan Africa.  Their habitat is being destroyed and there are now fewer than 6000 Painted Wolves living in the wild.

Jeremy Borg, CEO of South African wine brand, Painted Wolf Wines is on a mission. Today he started an epic journey on two wheels from Cornwall to Scotland. Along the way there will be wine tasting events and an art auction. Jeremy’s progress can be followed on the Painted Wolf Facebook page.

The Amphitheatre - printed donated for Painted Wolves

Jeremy’s Top Dog Trek will raise finds for the conservation charity, Tusk in three ways: Donations, Jeremy’s ride sponsorship, and an amazing online Art Auction which opened at noon today and will continue for the duration of Jeremy’s ride. Bidding will close on 30th June. I’m very proud to be one of a group of artists who have donated works to this Art Auction.

The two artworks I have donated were painted this year in the Drakensberg. Each one is a hand-detailed giclée print. The original painting in watercolour is reproduced as a limited edition of 25 prints. Then each one has additional watercolour and ink detail, making it a unique piece of art.

How the Painted Wolves Art Auction Works

Bidding for a piece of artwork is easy. A simple online form must be completed to register. Thereafter, simply place your bid in a comment on the artwork page. Come back from time to time and check the current bid because the highest bidder on 30th June will be the owner of the piece of art.

The AmphitheDrakenberg Dusk donated for Painted WolvesThe Painted Wolves auction art works include original watercolours, acrylics, hand detailed giclee prints, photographs and sculptures. The first 3 bids were received within 5 minutes of the auction opening and artworks will be on display at a number of events along the route.

If you’d like to have a look at all the artwork, you could look at the auction website (where bids can be made), or download the full catalogue pdf.

Painting South Africa – Part 1

For the past three weeks I’ve been painting South Africa.  I’ve managed to get my brushes out a few times on this trip – each time the result has been very different.

Every on of my South African journeys invariably involves Cape Town for work, and Johannesburg to visit my family. Both of those are special times for me: Cape Town because it is a stunningly beautiful city and I get to catch up with people whose company I really enjoy. Johannesburg because it’s where I grew up and there are loved ones there who I will always miss. Every chance I get to see them is special.

Painting South Africa - spray and sea
The crashing waves of the Atlantic ocean inspired my small study of spray and sea

We feel privileged to be able to introduce UK friends to this beautiful country from time to time. This year, Hayley and Simon joined us in a meander through the Drakensberg and the Natal Midlands so the men in the party indulge their fascination with military history and take a Battlefield Tour (Anglo Boer War).

Our Drakensberg time was spent at the wonderful Montusi Mountain Lodge. We had four days of being utterly spoiled with wonderful food, fantastic scenery and staff who could not have been more friendly. Every single person at Montusi went out of their way to make our time there very special. We hiked, we ate, we laughed, we rode and we fell in love with the place. With two photographers in the group, I’ve got more than enough reference photos to ensure there will be more paintings of the Drakensberg from our Montusi days.

Painting South Africa: The Drakensberg

Painting South Africa - grasslands
On our hikes I noticed the wonderful display of colours in the grasses and particularly their seed heads .

Anyone who has seen my mountain paintings will know that I am drawn to the majesty of towering peaks and the scale of big landscapes. The Drakensberg is a place I can just feed my visual senses with images and ideas for painting.

Painting South Africa - The amphitheatre
I was enthralled by the scale, the majesty and the mystery of the section of the Drakensberg known as The Amphitheatre

We’ve moved on to our final stop on this trip: Glen Ormond in the Midlands. On our first evening here it was clear that this week would hold as many great surprises as every leg of this trip has already delivered.

Creative images of artwork

Not much studio time this week, partly because I’ve been spending time on making creative images in a new way.

Inspired by a newsletter from the fabulous marketing department at Artfinder, I took some detailed photographs of a recent mixed media painting of Borgo di Santa Giuliana.

Creative images 1The painting itself has an element of expressionism to it, not least in the alternative colours used to convey the wonderful warm light in the Italian hills. So it seemed a fitting one to choose to play with perspective using my phone camera.

Creative images 1I am particularly pleased with the emphasis this perspective gives to the wonderful old walls of the buildings in this medieval settlement. The textures in this painting stand out really well when its photographed at an oblique angle. It’s not something I would have considered doing before, but now I have done it, I really love the way this sort of creative image gives the viewer a really close look at the painting’s detail.

Creative images 1Even the relatively un-textured hillsides in this painting come to life more when viewed really close up. And the light effect shining through the gap in the hills becomes even more apparent too.

Now that I’ve started to explore the idea of making more creative images of my artwork, I’ll start thinking about showing them differently in future.

More creative images

In other news, I’ve been experimenting with a new bit of kit over the weekend. It was high time our office printer was replaced. We’ve been operating with one small printer/scanner/copier for years now and it’s getting long in the tooth.

PrinterSo when our new whizzy A2 printer with an accompanying high resolution scanner arrived, I couldn’t resist playing a bit. This is the result of my working my way through an entire sample pack of fine art paper: Artist proofs all over the place. The scanner works a charm too – great colour resolution and wonderful detail.

I’ve now found the paper I really like, have ordered two pack (different sizes) and will be able to do my own giclée prints from here on.

This has been a real creative image week for me – and for once, it was not my brush doing the work, but technology.

Valentines Day painting – for friends

Valentines Day painting

This little Valentines Day painting was done on Saturday – but didn’t get around to posting it.  In Finland and Estonia Valentines Day is celebrated as a friendship day, rather than one of romantic love.  So despite living in England, I’m posting this in the spirit of Finland and Estonia’s Valentines Day tradition.

If you want to know a bit more about how this Valentines Day painting was done, I’ll be posting it to the Wash a Week Challenge blog.

Another Valentines Day painting:

And as its traditional to give flowers, I’m also sharing one that makes me smile. Sun Worshipers evokes hot summers days – just around the corner for us now that we’ve passed winter’s midpoint.

These are my Valentines Day paintings for you, dear blog readers. Hope this year brings much love into your life.

 

Sunflower watercolour