This is my third year of holding an Open Studio. Joining over 300 other Cambridge Open Studios artists is a highlight of my year. I love all of it – the planning, the build up and most of all, meeting interesting people who come for a browse.
This year, to celebrate my 2016 Open Studio I’ve decided to do a giveaway
The winner of the draw will receive this limited edition signed and numbered giclee print of Poppies in the Sunlight. This print comes mounted and ready to put into a 12 x 16 inch frame.
There are plenty of opportunities to get your name in the draw (see below):
The draw will take place at 6pm on Sunday 24th July.
Your name goes in the draw every time you do one of the following:
- Visit my Open Studio and put your name in the box. I will be open from 11am to 6pm on the 16th, 17th, 23rd and 24th July.
- Sign up for my email newsletter. (I only do 3 or 4 newsletters a year).
- Like my Facebook page
- Share the Facebook post at the top of my page (you will need make sure the privacy setting on the post is ‘public’ so that I can see the share and add your name to the draw)
- Sign up to receive my blog by email
- Follow me on Instagram and pop a comment into the post with about this draw on my feed.
That’s 6 opportunities to get your name in the draw. You could have 6 chances of winning this print.
(About this painting: Every year a few of my works seem to be the zeitgeist pieces of the year. This is one for 2016. It was painted last summer and was then used as the poster image for the Spring Exhibition of the Society of East Anglian Watercolourists Spring Exhibition. The original painting was the first painting to sell at the exhibition. For me this painting represent exuberence and zest for life: a joyful painting)
What’s on show at my Open Studio 2016
This year I have
- 90 of my Running With Brushes paintings on display.
- A number of new watercolours, some of which stem from my South African travels, and some from a recent trip to the island of Paxos.
- I’ve invested in a top quality scanner and giclee printer so this year will also be showing a range of signed limited edition prints mounted and ready to be framed for the wall.
- Seven new greeting cards designs join the collection of evergreen favourites.
I am aware that time is precious and I so value the effort people make to come and see my open studio. My working studio, untidy as it is when I paint, will be open for visitors to look around and I’ll be there to answer any questions and chat about my inspiration and my approach to painting.
And if the weather is kind to us, we’ll even be able to have our tea and cake in the garden. The next two weekends are looking to be fabulous!
This year, the Society of East Anglian Watercolourists will be making some changes to the members’ Spring exhibition.
About the Spring Exhibition:
Timed to fit in with the Bury Festival, the 2016 show will be staged in the beautiful Bury St Edmunds Farmers Club, where visitors will be able to treat themselves to lunch or an afternoon tea. A selection of paintings from the exhibition will also be available on the society’s website.
I’m playing catch up with my little watercolour sketch cards this week. I ran out of time to write a post last week for a number of reasons, but mainly because I am organising an exciting Running With Brushes exhibition.
I have the support of nine other fabulous artists in Cambridge who will be exhibiting with me – not to mention the 30 other artists who have so generously donated works to Running With Brushes. The website is up, the artists are ready and now we start with spreading the word. So if you’re in the Cambridge area and you fancy a grand night out with live music, a fantastic art exhibition, the chance to meet some exceptional artists, and to take home one of the gorgeous little Running With Brushes watercolours – please consider buying a ticket and spreading the word. (Early warning – you may hear a bit more about this event from me as the event unfolds)
So now you know why I didn’t post last week, here’s a selection of the watercolour sketch collection that came off my brushes.
Nightingale song inspired this sketch. On one of my London work days I heard my first nightingale. Sound waves in the dusk came to mind.
Creating order from chaos. I’m going through an exercise of organising my palettes. I’ll blog about this some time in the future – I’ve started working through my paints to find the single pigment transparent colours. More on this later.
The strelizia in the office produced a single flower/. I loved the dramatic shapes of the spikey petals. They called for a layered abstract.
Sitting in the Zurich airport I thought about what defines Switzerland. The essence of the Switzerland I saw last week was many shades of grey, blue skies, mountain peaks and a splash of red.
Taking off – I challenged myself to paint one of these on the plane. This was painted at 38000 feet above the earth.
Energy pods. Shiny gold cones of wake-up boost. They’re not very politically correct these days.
Back to the studio now for a bigger piece.
The annual SEAW selected exhibition started on Monday 5th October with a preview and prize giving event. 182 paintings were delivered to the Wymondham Art Centre on Sunday afternoon and Monday morning by 38 hopeful artists. By Monday afternoon, judges Olwen Jones RWS, Julia Sorrell RI and Ann Roberts of WAC had selected 82 paintings for the exhibition and the hanging committee was hard at work putting them on display.
SEAW Selected Exhibition – 2015 Prize winners
The judges awarded six prizes from these paintings:
Mary, by John Glover was awarded the RWS Presidents Award and cup, and will be hung at the RWS Open Exhibition at the Bankside Gallery in 2016.
Other prizes were awarded to Tony White, Ruth McCabe, Alan Noyes, Gilly Marklew (who was one of my first watercolour tutors) and finally, to my painting, The Amphitheatre. I was over the moon to have received this endorsement. Its a first for me and I’m deeply honoured to have my painting hung on the same wall as such a talented and experienced group of watercolourists.
The Exhibition is on until October 18th.
I’ve just completed Pathways – a landscape I was commissioned to paint during Cambridge Open Studios in July. In discussing what the clients wanted, I put together a painting plan. The painting should be in the blue/green colours, have no buildings, include an interesting sky, and a pathway – or two.
Elements in Pathways
This painting takes the viewer for a gentle walk with countryside features along the way.
Heading over the brow of the hill, a patch of hogweed waves in the breeze. Look carefully at the stems below, and you may find a spiderweb suspended between two stalks.
Look through the long grasses to the fields below. Grass seed heads blow. Spores dance in the breeze. As you progress along the route, terraced hillsides and fields of golden crops appear. Hedges and pathways criss-cross the land. Tree copses and woodlands fringe the farmlands laid out neatly in the distance.
Until finally, the lake appears. Trees on the bank are reflected in the still water. Wander further to the right and over the rise next to the trees on the horizon. There are hills beyond, and more fields to explore.
There’s a bit of a buzz in the house at the moment. We’re getting ready for Cambridge Open Studios in a fortnight.
I had the pleasure of going to see the studios of two other artists yesterday, both are experienced artists and have strong styles. They have very different styles of Open Studios and I was impressed by them both for different reasons. Jo Tunmer and Claire Marie Wood inspired me in different ways which was fabulous when faced with a weekend of framing, and organising to get ready. And it was lovely to have a chance to visit a couple of other studios. So often its not possible if your studio is open on the same weekends.
After a couple of days of working on the preparations, we’re not quite there yet, but we’re making progress. The framing is done:
My Running With Brushes will be on display providing some exposure for the project. I wish I could display the whole collection, but even without being able to show the works of other artists, it should raise awareness.
Cambridge Open Studios in Whittlesford
We’re having an Art Safari in the village to make Whittlesford a good destination for Cambridge Open Studios visitors. With 4 artists works on display within a 5 minute walk, visitors will have plenty to see. It’s taken a bit of organising – firstly to make sure we could all be open on the same days, then to arrange our preview evening for the same time and date. Finally, we got the marvellous Lori Bentley to design our map which will be available at all studios and has gone out in 400 guidebooks around the area.
Between the four artists taking part, many mediums will be on display: watercolour, pastel, oil, acrylic and collage. The range is rich and the colours vibrant.
If you’re in the area, pop in for a coffee and say hello.
African Wild Dogs, otherwise known as Painted Wolves are endangered. They are small sociable canines, native to Sub-Saharan Africa. Their habitat is being destroyed and there are now fewer than 6000 Painted Wolves living in the wild.
Jeremy Borg, CEO of South African wine brand, Painted Wolf Wines is on a mission. Today he started an epic journey on two wheels from Cornwall to Scotland. Along the way there will be wine tasting events and an art auction. Jeremy’s progress can be followed on the Painted Wolf Facebook page.
Jeremy’s Top Dog Trek will raise finds for the conservation charity, Tusk in three ways: Donations, Jeremy’s ride sponsorship, and an amazing online Art Auction which opened at noon today and will continue for the duration of Jeremy’s ride. Bidding will close on 30th June. I’m very proud to be one of a group of artists who have donated works to this Art Auction.
The two artworks I have donated were painted this year in the Drakensberg. Each one is a hand-detailed giclée print. The original painting in watercolour is reproduced as a limited edition of 25 prints. Then each one has additional watercolour and ink detail, making it a unique piece of art.
How the Painted Wolves Art Auction Works
Bidding for a piece of artwork is easy. A simple online form must be completed to register. Thereafter, simply place your bid in a comment on the artwork page. Come back from time to time and check the current bid because the highest bidder on 30th June will be the owner of the piece of art.
The Painted Wolves auction art works include original watercolours, acrylics, hand detailed giclee prints, photographs and sculptures. The first 3 bids were received within 5 minutes of the auction opening and artworks will be on display at a number of events along the route.
My next showing will be an exhibition at Windmill Art in Linton with Mark Judson.
Mark’s ceramics are well known in South Cambridgeshire where he exhibited for many years while teaching and heading the art department at The Perse School. I recently posted a photo on Facebook of the pot I decided I just had to have after seeing a picture of it. It was far too big to mail so we took a long weekend trip to France to collect it. It now stands proudly in our lounge and is a frequent conversation piece because of the beautiful delicate colours in the glaze.
Mark’s work can usually only be seen at exhibitions in central France where he now lives. This is a rare opportunity to see them on show in the UK again.
I will be showing watercolours themed by my travel experiences. Every country has it’s own special atmosphere and I aim to capture some of this in my landscapes. These are the works that will be on show in October.
Today I leave for my latest trip – a painting week on Belle Ile, France. I’ve been sailing in this part of the world before and some of the sights and sensations of Island life are bound to make their way into the exhibition at Windmill Art. There will be some paintings to see that are ‘hot off the easel’.
About the Exhibition at Windmill Art in Linton
Windmill Art is, as the name states, exhibition space in a windmill. The venue has ample parking and is close to the A14 and M11. For an invitation to the Preview evening, please sign up for my newsletter. The invitations will be going out very soon. I hope you can join us at Windmill Art on the first weekend in October.
Today’s post should have been written yesterday, the day when we were all saying, “Lest We Forget”. But it didn’t happen because I was down at the Tower of London.
Yesterday was a poignant day for many people. Commemorating the start of WW1 one hundred years ago is a significant occasion for those who value human life. It’s slightly depressing that we (the human race) haven’t learned to do this peace thing a lot better by now.
I decided to do something positive to mark the day. I haven’t had time to work on my Running With Brushes contributions for some time, so over the weekend I painted a few.
This one, Fields of Green, is particularly appropriate. It reminds me of the reason for the sacrifice made by all those men and women so many years ago. The right to live in peace in a country of our choice seems such a simple thing. And yet, without those soldiers who fought for it, we would not have it.
For those few of my readers who might not know about Running With Brushes, this is a project to paint 1000 small watercolours, and sell them to raise funds for Care for Casualties. Care For Casualties supports the families of members of Rifles Regiment who have been killed or wounded in Iraq and Afghanistan. To date, over 350 paintings have been created, 162 paintings have been sold, and as a result, almost £3200 has been received by the charity.
Tower of London: Lest We Forget
We also took a trip down to The Tower of London to have a look at this powerful and poignant art installation.
The Blood Swept Lands And Seas of Red exhibition, by
Artist Paul Cummins created Blood Swept Lands and Seas of Red to represent the lives of every British and Colonial death during the conflict. The poppies will be planted continuously until 11th November when there will be 888,246 of them in the moat around the Tower.
The poppies can be purchased by members of the public to raise funds for 5 military charities. I’ve just ordered mine.
I’ve been playing with creating video clips with my phone. This one is slightly wobbly but gives a slightly better idea of the scope of the poppy field in the moat at The Tower.