Painted Paper for Painted Wolves

African Wild Dogs, otherwise known as Painted Wolves are endangered.  They are small sociable canines, native to Sub-Saharan Africa.  Their habitat is being destroyed and there are now fewer than 6000 Painted Wolves living in the wild.

Jeremy Borg, CEO of South African wine brand, Painted Wolf Wines is on a mission. Today he started an epic journey on two wheels from Cornwall to Scotland. Along the way there will be wine tasting events and an art auction. Jeremy’s progress can be followed on the Painted Wolf Facebook page.

The Amphitheatre - printed donated for Painted Wolves

Jeremy’s Top Dog Trek will raise finds for the conservation charity, Tusk in three ways: Donations, Jeremy’s ride sponsorship, and an amazing online Art Auction which opened at noon today and will continue for the duration of Jeremy’s ride. Bidding will close on 30th June. I’m very proud to be one of a group of artists who have donated works to this Art Auction.

The two artworks I have donated were painted this year in the Drakensberg. Each one is a hand-detailed giclée print. The original painting in watercolour is reproduced as a limited edition of 25 prints. Then each one has additional watercolour and ink detail, making it a unique piece of art.

How the Painted Wolves Art Auction Works

Bidding for a piece of artwork is easy. A simple online form must be completed to register. Thereafter, simply place your bid in a comment on the artwork page. Come back from time to time and check the current bid because the highest bidder on 30th June will be the owner of the piece of art.

The AmphitheDrakenberg Dusk donated for Painted WolvesThe Painted Wolves auction art works include original watercolours, acrylics, hand detailed giclee prints, photographs and sculptures. The first 3 bids were received within 5 minutes of the auction opening and artworks will be on display at a number of events along the route.

If you’d like to have a look at all the artwork, you could look at the auction website (where bids can be made), or download the full catalogue pdf.

Eugen Chisnicean’s Watercolour Workshop

Eugen Chisnicean’s first UK watercolour workshop took place on the weekend after Easter. Attending artists had three days of fantastic attention from a very patient and accomplished teacher.

All of the artists on the workshop were experienced watercolourists, and all were pushed (willingly) out of their comfort zones at some point during this watercolour workshop. We all realised how easy it is to get stuck in the ‘easy’ groove of doing what comes comfortably. Sometimes its really valuable to examine our methods of working to see whether we are still true to the rigour of theory and principle.

watercolour workshop - painting on The Lawn in Whittlesford

Eugen Chisnicean – preparation for plein air painting.

The weather wasn’t perfect for a plein air watercolour workshop session, but we braved the breeze and dodged the rainclouds to spend the first afternoon painting on The Lawn.

There’s always a level of discomfort at the idea of people coming over to watch what you’re doing. Every one of us acknowledged that we know we should do more plein air painting. Somehow doing it as a workshop group made it feel a bit easier than going it alone. It was also fascinating to see how a view we wouldn’t normally see as a painting can provide inspiration for a solid composition.

 

“…has dispelled some of my trepidation at working ‘plein-air’. It was also useful to attempt subjects I wouldn’t normally consider.”

watercolour workshop with Eugen Chisnicean. Demonstration painting

Demonstration painting by Eugen Chisnicean. Whittlesford Lawn

Eugen Chisnicean’s UK Watercolour Workshop – reactions

Rather than writing more about the workshop myself, I’ll share some of the words emailed to me by the artists who attended:

“I loved watching a master at work. He was very generous with his tips & already I find I am going through the check list before starting a painting.”

Palette envy. I definitely want one like this.

Palette envy. I definitely want one like this.

“Eugen’s workshop was great fun. I particularly liked the mix of theory and practice, and the way Eugen combined them in his demonstrations. The tasks he set us were challenging – but that’s as it should be – and ensured that we didn’t remain too embedded in our cosy comfort zones. As a result I already feel that I have a much better understanding of what I’m trying to achieve, and am looking forward to seeing the benefits in my future work.”

Preparation is key. A reminder to put in the ground work before going to work on the final piece.

Preparation is key. Eugen reminds us to put in the ground work before going to work on the final piece.

And a last few words:

The three days that I was there, I can not pretend that I was not struggling. I could not understand why I was finding it so difficult, as I am usually quietly confident in how I haphazardly paint in watercolour.

Each evening, I would get back home and was eagerly questioned by my family on how I was getting on with the painting course.I could only reply, that I had never experienced so many difficulties in putting my pencil and brush to paper!

The answer was simple really. I was not just attending an art workshop, I was attending a MASTERCLASS art workshop!

I so appreciated the time he gave to us, showing us simple ways that would improve our watercolour techniques (and his patience when I could not get it!) and the demonstrations were truely amazing! How he transformed an ordinary landscape scene outside the memorial hall into a masterpiece…. was outstanding!

I learnt so much and not just that, Eugen in his quiet manner taught me not to be afraid of my own weaknesses(I have been so afraid of the easel, but now I have finally bought one, which I am surprisingly, using all the time! )

A true Master ,Eugen, Thank you so much for all your help”.

As for me: my brain was stretched by three days of intensive working with Eugen. And hosting the workshop meant I had a wonderful opportunity to go on an exhibition visiting day to London with Eugen. We stopped in at The Mall Galleries to see the RI Watercolour exhibition, went to the National Gallery to look at some works of the masters, and finally, had the enormous pleasure of discovering by chance that the National Portrait Gallery had an exhibition of Sargent’s portraits (the highlight of the day).

And I managed a painting I felt quietly pleased with in the course of the workshop. Onward and upward. Loads still to learn and loving the process.

VMW092 - Summer Day in France blog

Dragons Breathing Fire in the Sky

Dragons breathing fire

Drakensberg Fire (watercolour)

African sunsets are often stunningly vibrant with orange, pink and red streaks across the sky. In the Drakensberg (Dragon’s Mountains) the sunset could almost be the Dragons breathing fire.

Now that I’m back home I’ve gone back into the studio. The first day was spent doing a major spring clean and sort out. All an absolute pleasure as the studio had been painted while I was away and the walls are now beautiful bright white instead of the pale blue they were before. (Thank you to Marc, Peter and Chris for doing all the clearing out, painting and putting back of the furniture and equipment for me. No small task and I am very grateful to them all.)

So now I can get out my brushes again I’m drawn to capture the atmosphere of some of the glorious places we’ve just visited. One of my favourite places was the Drakensberg. From Montusi Mountain Lodge you get a wonderful view of these Dragon’s peaks.  Every evening we sat watching entranced as the sun slid behind the peaks, painting the sky in luminous colours as it went. It was a high point of each day.

The Dragons Mountains

I love the fact that the Drakensberg have more than one name. The commonly known ‘English’ version is in fact taken from the Afrikaans name, Dragons Mountains. The Zulu name for these mountains is just as descriptive: uKhahlamba (Barrier of Spears). The mountain range stretches over 1000 km along the length of South Africa from the Eastern Cape into the northern most province of Limpopo.

Dragon's sunset

Drakensberg Sunset (small watercolour)

This smaller version of the scene was done for Running With Brushes. Both reflect the incredible, almost unbelievable, colours of the Drakensberg evening skies.

The captivating beauty of this part of the world will draw us back, so we will be back.

Painting South Africa – Part 1

For the past three weeks I’ve been painting South Africa.  I’ve managed to get my brushes out a few times on this trip – each time the result has been very different.

Every on of my South African journeys invariably involves Cape Town for work, and Johannesburg to visit my family. Both of those are special times for me: Cape Town because it is a stunningly beautiful city and I get to catch up with people whose company I really enjoy. Johannesburg because it’s where I grew up and there are loved ones there who I will always miss. Every chance I get to see them is special.

Painting South Africa - spray and sea

The crashing waves of the Atlantic ocean inspired my small study of spray and sea

We feel privileged to be able to introduce UK friends to this beautiful country from time to time. This year, Hayley and Simon joined us in a meander through the Drakensberg and the Natal Midlands so the men in the party indulge their fascination with military history and take a Battlefield Tour (Anglo Boer War).

Our Drakensberg time was spent at the wonderful Montusi Mountain Lodge. We had four days of being utterly spoiled with wonderful food, fantastic scenery and staff who could not have been more friendly. Every single person at Montusi went out of their way to make our time there very special. We hiked, we ate, we laughed, we rode and we fell in love with the place. With two photographers in the group, I’ve got more than enough reference photos to ensure there will be more paintings of the Drakensberg from our Montusi days.

Painting South Africa: The Drakensberg

Painting South Africa - grasslands

On our hikes I noticed the wonderful display of colours in the grasses and particularly their seed heads .

Anyone who has seen my mountain paintings will know that I am drawn to the majesty of towering peaks and the scale of big landscapes. The Drakensberg is a place I can just feed my visual senses with images and ideas for painting.

Painting South Africa - The amphitheatre

I was enthralled by the scale, the majesty and the mystery of the section of the Drakensberg known as The Amphitheatre

We’ve moved on to our final stop on this trip: Glen Ormond in the Midlands. On our first evening here it was clear that this week would hold as many great surprises as every leg of this trip has already delivered.

Creative images of artwork

Not much studio time this week, partly because I’ve been spending time on making creative images in a new way.

Inspired by a newsletter from the fabulous marketing department at Artfinder, I took some detailed photographs of a recent mixed media painting of Borgo di Santa Giuliana.

Creative images 1The painting itself has an element of expressionism to it, not least in the alternative colours used to convey the wonderful warm light in the Italian hills. So it seemed a fitting one to choose to play with perspective using my phone camera.

Creative images 1I am particularly pleased with the emphasis this perspective gives to the wonderful old walls of the buildings in this medieval settlement. The textures in this painting stand out really well when its photographed at an oblique angle. It’s not something I would have considered doing before, but now I have done it, I really love the way this sort of creative image gives the viewer a really close look at the painting’s detail.

Creative images 1Even the relatively un-textured hillsides in this painting come to life more when viewed really close up. And the light effect shining through the gap in the hills becomes even more apparent too.

Now that I’ve started to explore the idea of making more creative images of my artwork, I’ll start thinking about showing them differently in future.

More creative images

In other news, I’ve been experimenting with a new bit of kit over the weekend. It was high time our office printer was replaced. We’ve been operating with one small printer/scanner/copier for years now and it’s getting long in the tooth.

PrinterSo when our new whizzy A2 printer with an accompanying high resolution scanner arrived, I couldn’t resist playing a bit. This is the result of my working my way through an entire sample pack of fine art paper: Artist proofs all over the place. The scanner works a charm too – great colour resolution and wonderful detail.

I’ve now found the paper I really like, have ordered two pack (different sizes) and will be able to do my own giclée prints from here on.

This has been a real creative image week for me – and for once, it was not my brush doing the work, but technology.

Valentines Day painting – for friends

Valentines Day painting

This little Valentines Day painting was done on Saturday – but didn’t get around to posting it.  In Finland and Estonia Valentines Day is celebrated as a friendship day, rather than one of romantic love.  So despite living in England, I’m posting this in the spirit of Finland and Estonia’s Valentines Day tradition.

If you want to know a bit more about how this Valentines Day painting was done, I’ll be posting it to the Wash a Week Challenge blog.

Another Valentines Day painting:

And as its traditional to give flowers, I’m also sharing one that makes me smile. Sun Worshipers evokes hot summers days – just around the corner for us now that we’ve passed winter’s midpoint.

These are my Valentines Day paintings for you, dear blog readers. Hope this year brings much love into your life.

 

Sunflower watercolour

 

Painting atmospheric skies

For many artists there’s something quite seductive about a big, wide sky filled with clouds.  Painting atmospheric skies is something that calls us.Painting atmospheric skies

We all love a clear blue summer sky, but visually, they’re just not as interesting as one that’s filled with clouds. They lack something special – big moody atmosphere!

Painting atmospheric skies on two continents

The sunsets over Istanbul are spectacular. Its the combination of the sky line and the water seem to work perfectly together to create that atmospheric sky.  When in Istanbul, I can recommend a ferry ride across the Bosphorus at the end of the day. If you judge your time just right, you get to see the perfect harmony – and that’s what makes an artist want to get painting atmospheric skies.

Paintings atmospheric skies 2 And then there’s a sunrise sky in the United States. This painting is derived from a photograph sent to me by an athletic friend who noticed the beauty of the water and sky during his morning run in Wilmington.  The first attempt to capture the serenity of the scene was in pure watercolour. This first small Wilmington painting and the view from the Bosphorus image were both done for RunningWithBrushes

Painting atmospheric skies  - morning run

The mixed media version of the image took longer – it’s had a number of laters applied to get the right textures.  Its darker, and moodier, and it certainly has atmosphere. There’s a sort of ‘noir’ feeling about the final image. And despite being derived from the same photograph, they have very different feelings. Same water. Same sky. Different colours. Different textures. Very different mood.

Istanbul Watercolours – influences remain

Last weekends colours and images have stayed with me and are reflected in more Istanbul watercolours this week (at least influenced by something from Istanbul if not a painting of Istanbul itself.

The sights, smells and sounds of the city are more than memorable. The streets are filled wit vendors – of hot roast chestnuts and freshly squeezed juices (orange, grapefruit and pomegranate). Seagulls by the thousand shriek incessantly as they follow the ferries, looking for offerings from commuters. Beautiful sunsets across the water, silhouetting the towers and minarets of the mosques and the museums. And then there’s the intense (almost to the point of sensory overload) sights and sounds of the markets, the historic buildings, and the interiors of the palace.

Istanbul Watercolours – Colour

Luminous Turquoise features in Istanbul watercolours

Blue is the dominant colour of the wall decorations. Ancient turquoise tiles, beautifully hand painted adorn vast areas of wall space in the Topkai Palace, the Blue Mosque and Ayasofya.  I had the urge to paint in Turquoise this week. Lori always says that the colours you wear influence the colours you paint. This may be because you see them all the time while you’re wearing them. It’s certainly true that turquoise tones and teals are my favourite colours. I wear them a lot and they often feature in my paintings. Watching the Ray is part of my Wash a Week Challenge for this week, and will be making an appearance on Running With Brushes very soon.

Istanbul watercolour skyline

The sunsets over the Bosphorus are wonderful. Clouds waft across orange and pink skies revealing the many towers and minarets across the city silhouetted elegantly  in windows of colour. A little sketch in my colour journal captures the image and will always remind me of a ferry ride across the water, looking back towards the old city at sunset.

Artfinder news

I’ve continued gradually sorting through paintings and refreshing my Artfinder portfolio. It has been sorely neglected and I find there are many paintings on my walls which haven’t yet found themselves onto the Artfinder page. The update will continue over the next few weeks.

Two paintings went up this week – both abstracts:

VMW050 Outeniqua Mountain Mist - blog

Outeniqua Mountain Mist was painted from the platform of a treehouse as I looked out over the mountain range in the distance.

VMW073 - Rain and Spray blogRain and Spray is exactly what it says on the can – a study of water in various states. Specifically, water in motion as rain and as ocean spray.

 

Istanbul Art – Echoes of the Ottoman Empire

This has been a weekend of Istanbul Art for me. I love travelling and these days, new places are quite often also a source of new visual inspiration. This was absolutely the case with Istanbul.

This is a city with so many facets. To start with, it spans two continents. We are staying in Eastern Europe, and last night, popped across the river to have supper – in Asia. I love the idea that this city has one half in Europe and the other in Asia.  And the two sections couldn’t be more different in feel. The European side houses the old city and features the historic buildings we all know about. The Asian side is buzzy and modern and features rows of contemporary pavement restaurants and English language schools. Both side are fun – in a very different way.

My Istanbul Art

We’ve had so many places to see in only a few days so my own art has consisted of a few sketches. There will be more when I get home though. My head is filled with image and ideas.

Istanbul Art - Grand Bazaar

The alleyways of the Grand Bazaar are festooned with bags, clothes and many-coloured wares of all varieties

The Grand Bazaar is worth a visit – but expect to be constantly asked to come and look at goods. Every shop seems to employ someone to stand at the door and entice customers in – and they can be quite persistent. Its not so surprising when you realise that there are around 5000 (Yes, five thousand. That’s not a typo) shops in the bazaar and many of them sell the same sort of goods.  The shops are sometimes no more than stalls, but every one is crammed with wares. This covered market dates back to 1461 and the vaulted ceilings are all painted with complex ancient patterns in yellow, green, blue and red.

Istanbul Art - Blue Mosque

Rough sketch of the blue mosque domes seen from the steps of Ayasofia

The Blue Mosque and the Ayasofia are both on everyone’s ‘must see when visiting Istanbul’ lists. And now that I’ve seen them, I can understand why.  We saw both on one day and my preferred one of the two was the Ayasofia, simply because it has such a fascinating and complex history which shows in the building.  In a busy day, I sat on the steps for 10 minutes after visiting these two impressive buildings, and tried to capture the imposing feel of the Blue Mosque in my sketchbook.

More about Istanbul art in a future post.

Wash a Week Challenge – Back to the Quinacridones

This is Week 5 of the Wash a Week Challenge and I’m exploring Quinacridone Purple and along with a different type of sponge for painting.

Enchanted forest watercolour on www.runningwithbrushes.com

Watercolour Plans and Explorations

This week has been one of watercolour plans and some explorations.

Watercolour plan 1 : Open Studios

Watercolour plan 1: The start of the week brought paperwork for Open Studios – and the requirement to make some commitments to painting fresh work and exhibiting. I’ve decided to do both Saffron Walden Open studios at the end of April and beginning of May, and Cambridge Open Studios in July. More on these closer to the time.

Watercolour plan 2 :  Artfinder

Watercolour plan 2: I took a decision to do a blitz sale on Artfinder to make space for new works in preparation for these exhibitions. This has proved quite successful so far and 5 paintings went over the past few days. It’s often quite difficult to see a painting go – we become attached to them somehow. But I’m excited about developing new lines of work this year and this will spur me on to get my brushes going.

Watercolour Exploration 1: Wash a Week Challenge

This week’s post explores Daniel Smith’s Lunar Blue. Here’s a little abstract treescape painting I did using only this colour. This will go up on the Running With Brushes site when I have time to post it there. (Life is overtaking me a bit at the moment.)

Watercolour exploration - wash a week entry

Wash a week – Week 4 – Lunar Blue

Following Last weeks Wash a Week post on Quinacridone Gold and Quinacridone Violet, I was asked how similar the gold is to Indian Yellow. I happen to have a tube of Indian Yellow I hadn’t yet tried. Perfect excuse to have a go so here’s the little colour swatch I did to see the difference. Separately, they do look quite similar because they are both strong colours. Put them together and you can see the difference.
Watercolour week yellow and gold comparison

Watercolour Exploration 2: Abstracts

On Friday evening I went to the monthly meeting of the Saffron Walden Art Society to see a demonstration of Abstract painting by local artist Joyce Crabb. I’m increasingly interested in Abstract art, and I think probably lean towards semi-abstract myself in some of my looser work. I’m not sure I’ll get comfortable with pure abstract work – at least not for some while, if ever. But I will be experimenting a bit more on the fringes I suspect.

Watercolour Plans 3: Tidying up the studio

I’m a book junkie (and a colour junkie as I’ve said before). I have a fair collection of art books and magazines in my studio. When I set up the space for my painting I insisted on having a corner with a sofa and table, as well as a bookshelf, so that I could sit quietly and enjoy dipping into this exciting reference material and inspiration.

Watercolour plan - tidy the studio

 

A year or so ago, I did a workshop in oil painting with Stephen Higton and decided to start doing a bit of work in other mediums, so I bought a large easel, amongst other things. Its fabulous to have it, but in a small studio, it was always a bit in the way. No matter which way I positioned it, the bookshelf was obscured and it became a mission to reach it.  Result: books not read, or books and magazines stacked all over the sofa and any other free surface so I could get to them.

This weekend I had a brainwave about repositioning things and got stuck in to moving furniture before I got started on painting. The result:

Watercolour plan - after the tidy

Space to read!